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KALASHNIKOVV GALLERY PRESENTS
A HAPPENING BY LOUIS DE VILLIERS
LOUIS DE VILLIERS / RICHARD HART / JODI WINDVOGEL / MJ TURPIN
MASS: a holy moment / MASS: to assemble into a single body / MASS: to gather and accumulate / MASS: a congregation / MASS: an angry crowd / MASS: a large body of matter with no definite shape / MASS: a majority, ‘The Masses’ / MASS: a large quantity / MASS: appeal / MASS: a four-person exhibition
MASS is a congregation of practices and ideas / MASS is drawing and painting and shooting and assembling / MASS is connecting the North to the South / MASS is not quite what it was intended to be / MASS is existing IRL and Online / MASS is running til the end of the month / MASS will not save us.
MASS is a 4-person show featuring Louis de Villiers, Richard Hart, Jodi Windvogel, and MJ Turpin. With de Villiers and Hart being based in New York, and Windvogel and Turpin based in Johannesburg; the initial concept for the show was a congregation of ideas and mediums from separate parts of the globe. But the World is the World today, and it seems we were destined to remain separate.
Found here is the sum total of our latest vision - an online MASS featuring the entire body of work.
Found at Kalashnikovv Gallery, an abridged version of selected works, a IRL mini-MASS.
Thanks for communing, stay safe.
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“GOD BLASS THIS MASS”
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LOUIS DE VILLIERS
Louis de Villiers (b. 1987 Empangeni, South Africa) is a visual artist, art director, and graphic designer currently living and working in Brooklyn, New York. From 2006-2017, he worked under the alias of SKULLBOY, and has exhibited throughout South Africa, Berlin, New York and Amsterdam; as well as made murals from Johannesburg to Hong Kong.
Since 2011, de Villiers has worked primarily in black, white and gold leaf – transitioning into his ‘Blue Phase’ in 2019 as his practice developed. Continuing to working primarily on large-scale-works on paper, his scenes explore themes of post-internet culture, social media and Iconography of Success through a metaphorical jungle-society.
In this most recent body of work, he shifts focus from subjects to the possesions that define them. Still rooted in his core practice of markmaking, he explores how we project so much about our taste and affiliations by the things we’ve come to collect. All of which has become a familiar visual language through the proliferation of Instagram that cultivates this economy of clout through curated projection.
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RICHARD HART
Working primarily in painting, but also in printmaking, ceramics, video, photography and installation, Hart’s work collages figurative and abstract elements to speculate upon radical futures where the mystical and physical, magical and mundane coexist. This process of building worlds from disparate elements is informed by African religious and spiritual practices where superstition, traditional medicine and ancient rituals are fused with western religion to create new belief systems.
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JODI WINDVOGEL
Jodi Windvogel is a freelance documentary photographer and filmmaker, working between Cape Town and Johannesburg, South Africa. Her work is rooted in community. With themes focusing on displacement, land, gender and gentrification, she strives to address and highlight socio economic strains with the focus on marginalisation. By using her camera, she aims to dismantle the iconography and stereotypes of words and images attached to people of colour.
She was a women photograph mentee for the class of 2018-2019. She is also a member of the African Photojournalism Database.
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MJ TURPIN
MJ Turpin (b. 1982. Johannesburg, South Africa.) He received his BA Fine Art (Honours) Degree from the University of the Witwatersrand and has since participated in numerous local exhibitions as well as international exhibitions in France, Germany, Holland, and Morocco.
Turpin currently Directs a Studio complex and Residency Program called Studio Grey, co-directs P72 Projects and Kalashnikovv Gallery, which are all based in Johannesburg.